Boy Howdy: The CREEM Magazine Story It had the gall to call itself “the only rock ‘n’ roll magazine in America” — we believe the kids today call this “trolling.” But if you grew up reading CREEM in the 1970s and ’80s, or cut your teeth in rock journalism by trying to emulate Dave Marsh and Lester Bangs, then you understand why it has left on major impact on What We Talk About When We Talk About Music. Scott Crawford’s doc is less a eulogy for the late, great Detroit rag than a rowdy wake, with past staffers and folks like Pearl Jam’s Jeff Ament and Red Hot Chili Peppers’ Chad Smith waxing poetic/profane about the publication’s legacy.
22 JULY Paul Greengrass, who previously turned the events of Sept. 11 into a tense procedural in “United 93,” now turns his gaze to the 2011 massacre on the island of Utoya, Norway. Anders Danielsen Lie (“Oslo, August 31st”) stars. It’s the second movie on this topic this year.
Gamers are armed with machine guns, rifles, pistols and grenades and play a fast-paced game of kill or be killed.
This closing sequence appears to be the most cunning of the swipes that this compelling saga takes at post-millennial China, as the decision by General Secretary Xi Jinping to give the propaganda ministry the final say in all matters cinematic means that directors like Jia Zheng-ke will be placed under much closer scrutiny. One hopes that he continues to demonstrate such ingenuity in his future state of the nation bulletins, as he is too valuable a commentator to allow himself to be silenced – although he did have to acquiesce in the domestic removal of ace director Feng Xiaogang’s cameo as the doctor after he became caught up in the Fan Bingbing tax scandal.
For their part, the cornea bros are thinking about the next branch of the pipeline. The world is getting older, and a lot of eyes will need repairs in the coming years. Not surprisingly, Balaji hesitates to describe their new project in any detail, citing competitive fears. Besides, he says, “even if I did, it’ll change tomorrow.”
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Drake is the first to admit that he wouldn’t be here without 40, and their symbiosis is most palpable on Take Care—the album on which they both set out to validate Drake’s weighty subliminal from earlier in the year: “The throne is for the taking, watch me take it.” Innovative sonics helped herald Drake as rap’s next king, and 40 was the architect. Created largely in the shut-in Toronto winter climate, Take Care has the feel of art created at home and the cold texture of its local environment.
The almost-identical Panasonic Lumix LX100 may cost a little less, but Tech Radar concluded the D-Lux is still a great option for photographers “looking for a smaller, high-quality alternative” to large DSLRs. It’s well-suited for experienced photographers who want a compact with pro-level image quality and manual controls.
CREDENTIALS: “Flava in Ya Ear” (Craig Mack); “Gimme the Loot,” “Warning,” “The What?” (The Notorious B.I.G.)
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Under Fryer’s leadership, the YWCA reached record growth, said Sonia Valencia Economou, president of the organization’s board of directors.
As great as the show is,, i can be a litle difficult to navigate the online panel listings. To help you see everything – in one place, our friends at ReedPOP have given us the panels in a text file. It was run off a while ago so there are some TBA and updates that didn’t make this file -so double check when on site- but if your old skool this might be useful!
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