The perils of being one of Prince Philip’s 50+ godchildren | Wire Rope Clamp

Those who had been laying the groundwork for hip-hop culture at the time had no interest in putting anything on wax. After all, why make a record if you can just go to a party? But Robinson saw that the music could make a mark on places far outside nightclubs and rec centers. Once she had the idea, she knew she had to make the record. So Robinson tasked her son Joey Jr. with finding rappers. He remembered a guy he saw at the local pizza parlor, rounded up two more folks, and the Sugarhill Gang was born.

CREDENTIALS: Quik Is the Name (DJ Quik); Bitch Betta Have My Money (AMG); Skanless (Hi-C); 2nd II None (2nd II None)

Raekwon’s Only Built 4 Cuban Linx… was one of the biggest releases of the year. Known to fans as “The Purple Tape” due to the translucent purple cassette it arrived in, the album found Rae establishing his own chamber, which was more closely tailored to Scarface than Five Deadly Venoms. That was no issue for the RZA, who sourced classic crime films like The Killer and Carlito’s Way to provide the glue that connected Rae’s gritty dopeboy tales and mafioso dreams to the Clan. Together, he and Rae cooked up a certified hip-hop classic.

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By 2003, the South was clearly poised to take over, but the region was without a dominant sound. No Limit had faded, the halcyon days of Cash Money had passed, and Houston’s fleeting time on top was still two years away. So, for that matter, was the blip that was snap music.

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It seemed inevitable that Rubin would produce a Run-DMC record. Their hard-hitting sound, birthed on the eponymous 1984 debut and expanded upon on 1985’s King of Rock, mirrored what Rubin did on Radio. The result of their collaboration, 1986’s Raising Hell, cemented Run-DMC and Rubin as rap legends, brought ‘70s rock heroes Aerosmith back from the dead, and propelled hip-hop itself into the wider public consciousness.

Radio was the product of young and hungry guys—LL had dropped out of Andrew Jackson High School in Queens to record it and Rubin, producing his first full-length record, was just 22 years old. He already had hip-hop bona fides, having co-produced T La Rock’s “It’s Yours” the previous year, along with LL’s debut single, “I Need A Beat,” but Radio represented something different.

Jason and Connor Enright with Tom Petty in 2013. Andy Tennille/Courtesy of Jason Enright hide caption

At the end of the evening’s entertainment, we wandered into Kensington Gore, in search of Last Orders, humming and whistling the theme from The Great Escape.