"Sure, but you didn’t think you could even make one and that happened," he said. "We already have tickets to see them in LA in June, anyway. Plus, if you make him one I could give it to him and I’d get to meet him." He smiled.
DuPont, however, was only interested in manufacturing the compound, turning translucent crystals of raw fluorite into resins that other companies could process into miracle coatings. In 1958, Gore quit his job and became a DuPont customer himself. He and his wife, Genevieve, headquartered their new company in the basement of their home in the Delaware farm country near Wilmington. W.L. Gore’s earliest products were PTFE-insulated wires and cables, some of which found their way aboard the first communications satellites and, in 1969, went to the moon with Neil Armstrong and Buzz Aldrin.
While the movie is largely focused on Liz’s relationship with Ted, Carol did eventually divorce him in 1986 and left Florida, moving back to Washington and retreating from the spotlight after basking in it for years as Mrs. Bundy.
Description: Some of the most popular science fiction stories are high-octane thrillers that get your heart pounding. What elements go into these stories that make the reader want to turn the pages faster and faster? Join these authors as they talk about creating high-stakes action scenes, daring protagonists, and nail-biting finales in futuristic settings.

Description: Erika Moen and Lucy Bellwood return to the stage to talk candidly about their favorite subjects: boats, boners, and just, y’know, LIFE, man. In keeping with last year’s inaugural panel, the fake burning fireplace will return for their fireside chat, although they will have all new props this time. This is a chance to listen to two comics professionals and niche-interest nerds talk candidly as friends about their lives, their interests, and their boats and boners.
The phrase "I won’t back down" is engraved on the wedding rings of Niki Vonderwell and her husband, Matthias Luft.
From a pickup game of basketball to a quick jog, this simple t-shirt was designed for every activity. It’s breathable, is made with Silverescent technology to prevent stinky clothes, and comes in a ton of basic colors to match whatever you’re wearing.
Eminem, of all people, helped knight Tay Keith as the Man of the Year at the tail end of summer. Wounded from the critical panning of Revival and eager to pick the scab, Em called on Keith for “Not Alike,” a song meant to parody contemporary rap as he asserted just how easily he could body the game within those sonic confines if he wanted to. Conceptually, it could have fallen apart, but Keith’s beat—a sort of funhouse, cracked-mirror version of something he’d give BlocBoy JB—bangs hard enough to carry it. At that point, it was clear: Tay Keith had emerged as the producer to tap for beats immediately representative of the moment. The release came on the heels of Keith’s contribution to the best rap song of the year, “Sicko Mode,” where he cut through a swath of co-credited producers. Each component of the track is a crucial one, but amid a sprawling number of cooks in the kitchen, Tay Keith’s ingredients ring out the clearest. There’s no question which section he contributed to, and in handling the song’s crescendo, he steals the spotlight and blows the lights out.

SUSPIRIA The ingénue is Dakota Johnson rather than Jessica Harper; the score is by the Radiohead frontman Thom Yorke instead of Goblin; and the visual stylishness comes courtesy of the director Luca Guadagnino (“Call Me by Your Name”). We’ll see if they can cast a spell for 152 minutes — the running time of this remake of Dario Argento’s 1977 Italian giallo classic.
HONORABLE MENTIONS: Kanye West, Clams Casino, Hit-Boy Kanye continued to surge forward in his maximalist ambitions with Watch the Throne in 2011. He made trap baroque on “Illest Motherfucker Alive” and “HAM,” while giving dubstep a hip-hop bounce on “Who Gon Stop Me” and “Why I Love You.” Based on their 2011 output, it seemed as if we were witnessing the birth of another artist-producer duo for the ages in ASAP Rocky and Clams Casino. If 40 was playing around with minimalism, Clams spent the year perfecting a dreamy, drugged-out spin on that wave, as evidenced by Live.Love.A$AP. For his part, Hit-Boy produced the titanic “Niggas in Paris,” a song whose genius simplicity even Drake admitted he was jealous of. The track positioned Hit-Boy as the next great superproducer. He was already diversifying his abilities with Rihanna’s highly underrated Talk That Talk cut “Watch N Learn” (which functions as a sort of laid-back B-Side to “Paris”), as well as the imperial score he laced Pusha-T with for “My God.” What a year. —Frazier Tharpe
GALVESTON Mélanie Laurent directed — and adapted, from a novel by the “True Detective” creator Nic Pizzolatto — this thriller, which finds a hit man (Ben Foster) on the run with the kidnapping victim (Elle Fanning) he rescued.
Description: This year, we’ve hit on the idea of a panel discussing the role of romance in nerdom: We come to our fandoms because of the cool magic system, futuristic gadgets, and neat mythical creatures…but we stay with our fandoms because of the romances that develop. Join a panel of romance authors as they discuss what makes a fandom strong, why romances in fandom are the best part, and why ‘ships (both the canon and fanon kind!) are what keep them coming back for more.
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