Description: Welcome to the Game of Thrones Meetup! Come with your friends and make new ones as you talk about Game of Thrones. Confused on what to do? Here’s a few tips: meet some new people, share your interests, show off your costumes and take some pics! Cosplay is encouraged, but not required. If you had a great time, share your experience with #ECCC and #ECCCMeetups
Classical music lovers will enjoy this opportunity to join hundreds of voices in belting out Handel’s Messiah. On Sunday, December 16, at 4 pm, the La Jolla Symphony Chamber Orchestra, led by guest conductor Ruben Valenzuela, will be performing portions of this classic, along with soloists and the audience. Saint Elizabeth Ann Seton Church in Carlsbad will be the location of this songfest, and tickets are $18 for general audience, $10 for students or youth. Scores can be rented for $5, or bring your own.
OF FATHERS AND SONS A prizewinner at Sundance, the director Talal Derki’s documentary follows two boys and their family, a radical jihadist household.
Beats by the Pound weren’t the only producers making noise in the South in 1998. Mannie Fresh deserves a mention this year because of his work on Juvenile’s 400 Degreez. Lead single “Ha” featured a gritty quasi-bounce vibe, which Juvenile used to display a flow unlike anything rap fans had heard before. Mannie also produced his own debut project that year: How You Luv That, a collaboration with Birdman as the Big Tymers. Meanwhile, Dame Grease had a major hand in bringing DMX’s debut album, It’s Dark and Hell Is Hot, into the world. With singles like “Get at Me Dog” and unforgettable concept songs like “Damien,” Grease displayed an ability to lock in with one artist and successfully pull them into a diverse range of soundscapes. Swizz Beatz also worked with DMX in 1998 on his second album of the year, Flesh of My Flesh, Blood of My Blood. The inescapable hit “Ruff Ryders’ Anthem” marks one of Swizz’s most visible moments as a producer. When you add JAY-Z’s “Money, Cash, Hoes” and N.O.R.E.’s “Banned From TV” on top of that, things just get ridiculous. —Kiana Fitzgerald

She now cooks her meals which she prepares every Sunday to last her the rest of the week to avoid the temptation of picking up takeaways.
MONSTERS AND MEN Reinaldo Marcus Green’s Brooklyn-centered examination of police brutality moves through three interlinked protagonists: a man (Anthony Ramos) who films the slaying of an unarmed civilian on his phone; an African-American police officer (John David Washington, who played another conflicted officer in “BlacKkKlansman”) who faces profiling himself as well as pressure from within the force; and a high schooler (Kelvin Harrison Jr.) drawn to activism.
However, here are a few of the key points for anyone wondering why Bitcoin is so hotly championed by those in the know to eventually replace gold.
Description: Comics let us live out our wildest dreams. Sometimes. But what happens when our heroes don’t live up to our expectations? When an author or artists’ vision differs from our own? What happens when comics gift us with something we didn’t even know we needed? From Batman: Damned to Man-Eaters, we’ll examine the social implications of everything from Batman’s nude scene to using still-ridiculously stigmatized words like “menstruation” in the medium.

Sylvia had the idea to re-record Chic’s “Good Times” for the backing track, and even played on the session. (The idea would come back to bite her when the guys who wrote that song heard their music, didn’t see their name on the record, and promptly sued). The three strangers, one using lyrics from a rapper he managed—not even bothering to change the name—stepped in the booth. The result, a nearly 15-minute-long track called “Rapper’s Delight,” somehow worked. Those already steeped in the culture were skeptical, but nearly everyone else was blown away. From radio play on a single station in St. Louis, the song took off to the point that the label was pressing around 50,000 copies a day.
While Rent-A-Center stores are mostly located in low-income neighborhood and military bases, both Fernish and Feather exclusively deliver to some of the most expensive cities in the country. And while Rent-A-Center makes its money by marking up the monthly cost of the goods it offers — NerdWallet found that a $148 subwoofer would cost a customer $779 if they bought it through a one-year rent-to-own contract from Rent-A-Center — both Feather and Fernish appear to charge customers the retail cost of the goods they lease and sell.
BOY ERASED Lucas Hedges plays the gay son of a pastor. Facing ostracism from his parents (Nicole Kidman and Russell Crowe), the teenager attends a “conversion therapy” program. Joel Edgerton directed, from the memoir by Garrard Conley.
Description: Welcome to the Geek & Sundry Meetup! Confused on what to do? Here are a few tips! Talk to strangers. Yes, despite what your parents told you that is ok here. Meet some new people, share your interests. Tweet about your experience! Have some cool shots? Met new comrades? Let us know about it with #ECCC #ECCCMeetups
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