The system can also prepare the customs release and transmit it electronically upon entry into the Hamburg Airport Customs area, reducing the need for paper.
"He told me that he heard, or read somewhere, that it brought a girl out of a coma," recalls his widow, Dana Petty. "It was her favorite song and they played it and she came out of a coma, which blew his mind."
Description: Join Jessica Brody, Sarah Beth Durst, Colleen Houck, and Bridget Tyler as they discuss writing the dark, strange, and sideways of Young Adult Fantasy novels.
At her heaviest, left, Lilli wore a size 20 dress (UK size 16)…and has since dropped three sizes, however, she says her new body (right) has seen her kiss goodbye to lucrative modelling work
You parents may remember drawing with “Commander Mark” on “The Secret City” and “The Imagination Station” PBS children’s series back in the 80’s and 90’s?! Well now YOUR kids can learn how to draw with him too! And IN-PERSON!
The letter @JussieSmollett’s attorney sent to the city of Chicago in response to the repayment of $130,106.15. The actor "will not be intimidated into paying the demanded sum," it says. pic.twitter.com/VfEzdzJ71S
“Before Dale Sr. passed, he was the kind of guy NASCAR trusted, could go to and say things and the drivers all trusted and said we’re on board with him. I don’t really feel there’s that type of communication since Dale Sr. left,” Harvick said. “There’s no guy and no one really in the very top of the NASCAR executive side of things that has the experience inside the car that can relate to the drivers and say this is what these guys are feeling, what they’re saying and I understand their frustrations.
F. de Busserolles et al. Pushing the limits of photoreception in twilight conditions: The rod-like cone retina of the deep-sea pearlsides. Science Advances. Published online November 8, 2017. doi:10.1126/sciadv.aao4709.
The Wachowskis — and I think Steven Spielberg was the predecessor of this, because he would shoot his own action — would tell the story through action. You can learn as much about a guy in an action sequence as you can from him just sitting down and talking. A good director can do both. A good director wants to do both. And that’s what The Matrix imprinted on us for the rest of our days.
The Long Island-based team—Chuck D, Eric Sadler, and brothers Hank and Keith Shocklee—was in the midst of tearing up hip-hop and refashioning it from scratch. They were at peak powers in 1990: Fear of a Black Planet featured Cube on “Burn Hollywood Burn,” as well as another hour’s worth of chaotic, sample-laden, pastiche rap music that sounds as urgent now as it did then. But Cube and the Bomb Squad were just getting started. Barely a month after Planet, in May 1990, Cube released his solo debut, Amerikkka’s Most Wanted, an out-of-nowhere hit and critical success that managed to vault him past N.W.A.
Stahelski: Through an interpreter, Yuen Woo-Ping says, "Look at this guy" – it was their youngest guy, this 22-year-old fireball named Chen. "Do whatever he does." And without any warm-up or anything, I followed this amazing, acrobatic martial arts guy and did every trick, tumble, kick, everything you can imagine, that he did. The average audition is three to five minutes; this was 90. So I’m dripping in sweat, blood, and tears to impress these guys. We shake hands, and I leave. I don’t hear anything for a month.
HONORABLE MENTIONS: Heatmakerz, Kanye West, Just Blaze Lil Jon owned the clubs, but the Heatmakerz owned the streets. Their sound—which, with its sped-up soul samples, owed a debt to Kanye West—served as the foundation of the Diplomats’ Diplomatic Immunity. At the same time, ‘Ye himself was on a heavy run, producing “Lucifer” and “Encore” from JAY-Z’s The Black Album and showing his range on beats for Freeway, T.I., Fabolous, Ludacris, and more. Just Blaze also contributed songs to what JAY billed as his final release, including “Public Service Announcement (Interlude),” which paired his booming signature sound with Dick Gregory’s “Moral Gap.” Just worked with Dipset, too, delivering the Uptown anthem “I Really Mean It” and borrowing from Starship for “Built This City,” something the Harlem crew boasted to have done “on rock.” —Lucas Wisenthal
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