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Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideo Kendall (comiXology Originals/Kitchen, Lind & Associates)

"You’re a bright young man. You’d have made a good lawyer and I would have loved to have you practice in front of me, but you went another way, partner. I don’t feel any animosity toward you. I want you to know that. Take care of yourself."

Out of options, Farès calls Danny, who flies to Spain to break into the safe in Bruce’s room. She is far from impressed with her son’s performance and strides through the hotel lobby with the confidence of an old hand. However, the safe proves to be empty and Danny has to kidnap Brittany who was listening to music in her room. Farès is appalled and accepts Henri’s suggestion to lay low with his old mucker, René (François Damiens), who has bought himself a swanky villa with the proceeds of a people smuggling racket. While he flirts with Danny, Farès bonds with Brittany while comparing notes on exploitative parental neglect and she shows him how to access the account on her phone that Bruce has set up to conduct his drug drops.

The Bomb Squad get much of the credit for that success. In contrast to the current era—in which rappers and producers often collaborate electronically rather than meeting face to face—Amerikkka was created after the Bomb Squad essentially locked Cube in their Long Island record room and told him not to come out until he’d found his album. Led by Sadler, they proceeded to dissect the LPs he’d chosen. The result is an undeniable classic that’s as much Bomb Squad as Cube, as much East Coast as West Coast.

Timbo was on a run, too. He produced the Lox’s “Ryde or Die, Bitch,” Missy’s “She’s a Bitch” and “Hot Boyz” (plus the rest of Da Real World), JAY-Z’s “Big Pimpin’” and “Is That Yo Bitch,” and Ginuwine’s “So Anxious”—all of which felt like dispatches from a not-so-distant future, complete with crazy drum patterns and otherworldly sounds. 1999 was a great fucking year for producers. —Angel Diaz

HONORABLE MENTIONS: The Neptunes, Mannie Fresh, Salih Williams Via Snoop, the Neptunes released “Drop It Like It’s Hot” in 2004. Need I say more? The duo also produced the entire N*E*R*D album Fly or Die. Additionally, they worked their magic on some pivotal non-rap tracks—namely Kelis’ bombshell single “Milkshake” and Gwen Stefani’s genre-less “Hollaback Girl.” Mannie Fresh’s contention for best producer of 2004 comes down to his work on Lil Wayne’s Tha Carter. From the omnipresent “Go DJ” to the sleeper album cut “Earthquake,” Mannie was able to manifest his own sounds as well as arm himself with flips of songs that had long been established as cultural staples. He also released a solo album that year, which reminded us that he had a big, you know, house. Last but not least, in every sense of the phrase, Salih Williams put a whole new scene on the map with just his own two. By the grace of a higher power (and an old hook from Slim Thug), the producer crafted Mike Jones’ “Still Tippin’,” a song that put Houston and its laid-back appeal on display in such a significant way that it still causes reverberations in Southern hip-hop today. —Kiana Fitzgerald

Lilli Luxe, 28, from Ohio, has been modelling since she was just 14 and carved out a lucrative career as a larger model with her curvy 180lbs (12st 12Ibs) body.

A clutch of Palestinian street artists concur that the telling phrase or image on a highly visible wall can have a devastating effect and they describe how the practice became more prevalent during the First Intifada. But, as French cultural commentator Françoise Vergès points out, Western artists display a degree of arrogance in descending on trouble spots to make statements on their own terms without bothering to research the sensitivities of the people who will have to look at the pieces on a daily basis. She also laments the fact that such grandstanding overshadows the work of artists on the ground and she suggests that this form of cultural imperialism avoids scrutiny because the international art market drowns out the protesting voices by presenting the Western interlopers as politically committed heroes raising awareness through their courage and talent. 

MID90S Jonah Hill makes his first feature as a director, and it’s a period coming-of-age story about a 13-year-old in Los Angeles (Sunny Suljic) who falls in with a crowd of skateboarders.

Description: Just like every house needs a good foundation to build on, so does every cosplay! Explore what goes underneath those beautiful gowns, stunning spandex, and majestic robes. We’ll talk about the garments that give you shape and the way to approach building on top of them so that everything stays together all day long. Working practicality into a costume doesn’t need to be complicated!

Description: Rogue Planet presents Real Life X-Files—a look at some of the government’s real programs, investigations, and cases involving UFOs, mind control, and other paranormal activity.