Description: Welcome to the Stranger Things Meetup! Come with your friends and make new ones as you talk about Stranger Things. Confused on what to do? Here’s a few tips: meet some new people, share your interests, show off your costumes and take some pics! Cosplay is encouraged, but not required. If you had a great time, share your experience with #ECCC and #ECCCMeetups
Social worker Sharon – US comic Tig Notaro (Star Trek: Discovery) – approaches the couple to find out whether they’d met any kids of interest… and awkwardness ensues.
Eazy-E sued, and as a result no labels (including Sony Records, which released “Deep Cover”) would touch Dre. Finally, a compromise was reached, wherein Eazy would receive a portion of his former collaborator’s sales. Dre was now free to be Dre, and in December 1992 Death Row Records released his masterpiece solo debut, The Chronic. The drama fueled the music, with Dre hurling surprise bombs at Eazy, who hadn’t planned on taking their beef public. The disses weren’t particularly distressing (“Stompin’ on the Eazy-est streets that you can walk on”), but the production was pulverizing. Driven by mid-tempo Moog synthesizer beats, The Chronic was simultaneously melodic and hard-edged, and its influence changed the course of hip-hop overnight.
When I arrived in California, I soon learned that everyone here is conditioned to keep an emergency earthquake bag in a car or somewhere near the door. In addition to my packed bag, I keep a satellite phone in the trunk. I’m assuming that cell networks will be badly disrupted by a big earthquake — that was certainly the case when I covered the 2015 Nepal earthquake. Finding electricity might also be a problem in the days immediately after a big quake, so I’m counting on the cigarette lighters in the car to serve as a generator.
For the RZA’s third trick, he churned out Return to the 36 Chambers: The Dirty Version, the solo debut from his and the GZA’s cousin Ol’ Dirty Bastard. RZA didn’t produce the lead single, “Brooklyn Zoo,” but he did provide the infectious piano twinkle and understated groove of standout “Shimmy Shimmy Ya.” From the subversive melodies of “Raw Hide” to the playful throwback hip-hop of “Cuttin’ Headz,” the RZA got the best out of the Wu’s biggest character.
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Tying up the loose ends with a neatness that epitomises this slick, if occasionally boorish flick, Gavras and co-writers Karim Boukercha and Noé Debré (who has collaborated in the past with Jacques Audiard and Michaël R. Roskam) toss in a teasing sense of ambiguity that edges this a notch above the genre norm. The debts to Brian De Palma, Quentin Tarantino and Guy Ritchie seem obvious, while it’s tempting to suggest that Karim Leklou spent some time studying the screen mannerisms of iconic crime actor Lino Ventura. But the action most bears similarities to Adil El Arbi and Bilall Fallah’s Gangsta (2018), which also alluded to issues of race and class while keeping the focus firmly fixed on the intricacy of the scams.
An $899 West Elm couch rented through Feather, for example, starts at $52 a month — but if the customer were to rent it for two months instead of 12, they’d be paying $201 a month instead. And if I were to pay $52 a month to rent that $899 West Elm couch for a year before deciding I wanted to buy it, I’d only have to pay Feather the difference, or $275. Fernish uses a similar payment structure, with monthly payments decreasing as the lease term increases.
Myklebust calculated the city is spending $139,000 a year to fill Federal Aviation Administration requirements. That includes compensation for 12 firefighters for the 27 percent of their days when they are at the airport station or doing aviation firefighting training. It does not account for administrative costs or intangibles, such as when firefighters aren’t dispatched to other calls that come in too close to when a plane is landing.
“Hearing Marley Marl’s output circa ’86-’89 was an experience the impact of which was akin to discovering aural electricity every couple of weeks, one five-minute serving at a time,” wrote Ego Trip’s Chairman Mao. And hearing Marley’s output in 1988 was to get the heaviest voltage of all. That year, Marley produced Goin’ Off for Biz Markie, Long Live the Kane for Big Daddy Kane, Born to Be Wild for MC Shan, “Poison” and “Butcher Shop” for Kool G. Rap & DJ Polo, and “Go on Girl” for Roxanne Shanté—along with, of all things, a bangin’ Paula Abdul remix. Marley brought his spark to each project: providing backing tracks powerful enough to match up with Kane’s smooth boasts; making sure that even Biz’s goofy songs like “Pickin’ Boogers” had beats classic enough to ensure they’d move out of Weird Al territory and hold up to repeat listenings; giving Shan his own, saxophone-heavy spin on the Juice Crew sound.
Description: We’re going all-out to create an unforgettable panel for Valiant fans! We’re going to drop a major exclusive: Valiant One, which is a slate consisting of three fan-favorite characters for late 2019.
Tracking medicines’ impact in the wild is difficult, but toxicologists believe their influences on fauna can occur at low concentrations—and may be distinct from their effects on humans. Already a variety of symptoms has been observed in lab studies. Amphetamines change the timing of aquatic insect development. Antidepressants impede cuttlefish’s learning and memory, and cause marine and freshwater snails to peel off rocks. Drugs that affect serotonin levels in humans cause shore crabs to exhibit “risky behavior,” and female starlings to become less attractive to males (who in turn sing less). Dosed with Prozac, shrimp are more likely to swim toward a light source—a dangerous tendency, given that many predators hunt in sunlit zones.
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